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Coop

1,161 Audio Reviews

748 w/ Responses

Deep meaning?

A nice piece, with certainly a lot more good than bad about it, that's for sure. I think that you could certainly have left more between the verses, just to give people more of a feel for the tune, as it is just a little too rap for me. Perhaps gaps between shorter verses would be the key - when you come to post your lyrics, try setting them out like a poem, as opposed to a wall of text, as that can put people off trying to follow your lyrics.

It's not bad - there were a few spelling mistakes in the piece that you've typed, so getting continuity between the two of them would be nice. I think that the sound is very in keeping with a hip-hop version of feudal Japan, so for me, it's a difficult merger of cultures to transcend, but one that you managed nicely.

With the way that the track sounds, I think I could use a kick for pace in the middle, just to stop people from getting bored, as the music sounds rather repetitive and could use that little extra, just to get it back going again.

[Review Request Club]

BAF responds:

I see what you're saying about the gaps but it didn't seem to me like the beat really left room for them. As for the lyrics honestly I feel like it's something I put out a little extra effort for anyways and taking the to put it into poetry form is a little more work than i'm willing to do. Also breaking that many lyrics down into their own seperate lines would take up damn near a full page...I feel like people would be less likely to read that than a couple paragraphs, maybe im wrong though. as for the beat I liked the fact that it was subtle and repetitive, it lends itself more to telling a long story that way. Thanks for taking the time to review, it's really appreciated.

Certainly interesting

I think that you're onto something here with this sound. Not necessarily the sound in the intro of the track - I'm not really a fan of the stop-starting that the beat goes through to start with, as it feels that the track is really afraid to get going. Once the additional parts are added to this 'stutter', it doesn't actually sound too bad, so almost there.

Perhaps it also needs to be taken into consideration at the end, but that's less of an issue, as you're into the die part, where it feels like the sound does start to fade and sputter, before it actually expires.

With the scratching and the 'DJ sounds' in the middle of the track, I think they could be refined slightly, to give something that flows more than it does at the moment - you're almost there with what it seems that you're after, but not quite.

Still, it's a fine effort.

[Review Request Club]

Will responds:

Hmm, thanks for that... always nice to have a counter-opinion.

Needs more vocals

A nice effort that has certainly got a good beat and melody sound to it, but personally, I feel that it requires a little more in the vocal sample department. Perhaps alternative vocal samples would help, rather than just playing with the pitch of the sound itself?

I think that the beat is nice and controlled and it blends in nicely with the piano, as the song shifts to the second phase. I think that this could be extended a little, with additional piano variation and perhaps an additional "sock it to me" thrown in there just to remind the listeners. Perhaps a deeper one, maybe an American accent of some sort - New York would be good, for the pseudo Italian in there.

[Review Request Club]

Will responds:

Thanks for the review -- I only had one vocal sample because that's how it was in my original... but now I see that people like the vocals!

Not what I was expecting...

Well, this is certainly a different piece that shows you should not judge a book by its cover. What an amazingly calm intro for something that is called "guitar shredding". Okay, so we get onto that a little after the intro, but by then, I'm gobsmacked.

It may have taken me a few passes to discover that there is more to the tune than the intro, but when it actually gets to the shredding part, there is an issue with the speed of the drum beat - the second pass of the fast drum beat seems out of time fractionally and when you add the heavy metal sounding guitar to it, it all sounds slightly wrong. A little playing with that should see you right - perhaps just cool the drums off, as the shredding will sound great without drums, it's that powerful.

[Review Request Club]

SessileNomad responds:

you know...listening again, i think i can feel what your saying about the drums, but its only when their fast....hmm...i think i might do some examining of this track later today

ppl seem to like this kind of shredding, cool i guess

peace out thx for review and flaw update

Great Piano

A lovely little tune that sent my girlfriend's cockatiels into a frenzy, I think that we can safely say that the pacing is electrifying and the piano / keyboard is something that really does keep this track pumping through the phases expertly. I love the bass variation, where it stops for half a phase and allows the piano to shine through.

You've clearly given a lot of thought and effort to this piece and it is really mind boggling to see how people like you can keep churning quality pieces out week after week.

With the way that this sounds, I'd have perhaps taken a little off the louder notes, as they can be a little abrasive as they get to the loudest point, shaving a little there would certainly help.

[Review Request Club]

SessileNomad responds:

its funny you say that cuz i almost wne through the trouble to quite down the pianos and stuff when the big lead came in, but i didnt really think anyone would notice how loud it was getting there

i should start trusting my instincts more xD

thx for reviewing

Good Industrial Beats

I love the way that this piece incorporates all aspects of the industrial genre, taking it to some pretty nice sounding places. I can definitely hear and feel the factory atmosphere within the latter stages of this tune, which gives it a very good feel as the rest of the instruments come in to compliment the piece as a whole.

I'd have given a break for the beat towards the middle, to bring back the calm that seems to really add body to the tune. Perhaps different to how you did it, as this semi-beat, coupled with the "Maybe you shouldn't be here" sounds a little quiet and it requires something of a backing melody to it - perhaps strings was what I was thinking.

[Review Request Club]

PizzaBox responds:

"I'd have given a break for the beat towards the middle, to bring back the calm that seems to really add body to the tune."

Love it. Will do.

Nice tune

I think that the quiet calmness of this track is something that comes along and gets the listener to pay attention, while working as a nice backing tune.

I think that the vocal sample could be made more prominent and the strings could actually be changed. This tempo really doesn't suit them. With that particular part of the track altered, you'd have a vastly different sound, I appreciate, but it would make the track so much better, I feel.

Perhaps it doesn't need the lull in the middle either, but it needs something to aid the projection of the piece as a whole.

[Review Request Club]

PizzaBox responds:

I was really struggling with the vocal sample on this song. I simply couldn't get them right, and had to settle with this. =/

I disagree about the strings, but I'll definitely consider it if I ever revisit the song and keep it in mind when I make new songs.

On the other hand, the bass detache (though I'm pretty sure you weren't referring to them) did need a lot more work and attention than what I gave to them.

I'm confused as to what you mean by "lull in the middle". Do you mean the bridge perhaps? Where the piano fades out and the strings fade in? You're probably right if that's what you're talking about... I'll try to think of a better way to go about doing what I wanted.

Thanks for the criticism, it's much appreciated.

Nice remix

A very worthy little tune that certainly would not seem out of place as a jingle for the main menu of various games that crop up around Newgrounds, even things like Epic Battle Fantasy, for example.

Quite serene and well played, it can put the player at ease, lulling them into a false sense of security, but this is something more than that. I would have made it into a better loop though - the end and start of the tune are just a little too quiet for that to really take effect well.

It's got a very nice "music box quality" backing tune, which suits the track itself down to the ground. Great stuff.

[Review Request Club]

Cosmos8942 responds:

Ha, I always enjoy your reviews, y ou always have something to say that I've yet to hear. In this case its your "Quite serene and well played, it can put the player at ease, lulling them into a false sense of security, 'but' this is something more than that." Right there, I wonder what you are talking about actually. I can't really feel anything, it might be because I've heard this one so many times or it might be because I made it. But I'm not getting you here as well D:.

Meh, maybe I'll figure it out with time. But I'll agree with the loop itself but here is something that might interest you. I believe this one was made before NG redid the site and it was labeled as a loop not by me but by either the staff or some program they came up with. Nothing I can do about that now though. Meh, ah well.

-Tony-

Once again thanks for the review. I actually enjoy yours quite a bit as it shows knowledge and experience which is always nice to get on just about anything.

Really nice

While the "perfect 10" was spoiled for me by some high end static on most of the higher notes, you've put together a good sounding track - working on the equalisation will help you here, no doubt.

It's pretty Epic and if only I'd heard the theme for Chrono Trigger before, I might be able to make comparisons, but we'll just stick to what I can hear. There's a good amount of variation, starting with the way that the track starts slowly, with the strings, blending into the woodwind and the other bits and pieces, giving me a sense of being taken into the piece and conjuring up images of CT.

I think that perhaps with the backing track that you're playing keyboards over the top of, you need to make this more prominent and fade out the keyboard, just to give another new dimension and some added variation to it - a great way to phase change, no doubt.

[Review Request Club]

Cosmos8942 responds:

I'll agree here. The static I just could not seem to get rid of for some unknown reason. I tried and tried and tried and gave up and submitted then cried and now this. Heh. Ah well, minor minor, the static hits somewhat hard the first time through then falls away the second time playing. I don't even notice it any longer actually.

Sticking to what you can hear can be good here. It allows you to make a unbiased opinion on the piece itself and not compare what is very likely a much better original. In other words you are basing it off of what you hear and that is nice since normally what I get are reviews based on what a person remembers. Sometimes annoying that. The variation itself is based around my old philosophy "If it is good as it is DON'T FKN CHANGE IT TOO DAMNED MUCH!!" The original had alot of the same flow I simply added some of my own zing to the mix to give it that homely 'Cosmos' feel :3.

But I do think that you could be correct me. The backing track could use some minor work, either with a fadeout or with some other conjured sensibility pondered up. Might have to look into that with my next CT remix...if I make one. I really should x.x.

Heh, well either way, I've yet to get a 10/10 from you so I guess I'll just have to work harder. I'll be happy once I manage to bounce that score up a little.

-Tony-

Good remix

Yes, I remember this game. The remix does it justice, perhaps with something done to the parts when the tune itself seems to cut out and you get that "duh-duh" note, it always seems to run aground for me.

There are a few duff notes here and there (mostly when they are on their own), the second note of the solo starting at 40s, I think the offending note occurred at 43s, which did take away from that particular piece of the tune. When you've copied that piece for the next time around, it does show through, unfortunately.

Still, it's a good effort and this track does sound good, with some pretty good uses, as Mario games and movies are always being made here.

[Review Request Club]

Cosmos8942 responds:

Who doesn't remember this game. If you've played it you'll remember it. But frankly I'm surprised that so many people enjoy this one. I didn't think it was the greatest thing to ever grace my completed songs folder. But I am not sure when you say "duh-duh note." Frankly I can't seem to pick it out atm. I don't know actually, even when I go back over it and try to locate the note(s) centered around the 40s area I am still unable to pick it out. Guess my music ear just isn't as good as your own. Pity x.x.

Overall I like this well enough and I'm just happy that people seem to enjoy it as well. I may not really make anything off of..well...anything but I am happy just knowing that people enjoy them.

In the end guy I'll have to thank you, it would seem you have pointed out something I can't even hear XD. I'll have to work on that if I ever do another remix remotely like this one.

-Tony-

You know, I stopped shaving to think of something to write here. That worked out well.

Will Cooper @Coop

Age 41, Male

Author / NG Mod

Old Skool

Vancouver, CANADA

Joined on 4/28/04

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