Coop's audio Reviews on Newgrounds

[Improvisation Number One]

Weird

I don't know what it is about this tune, but it sounds very creepy to me. I feel that it's probably down to it being a track of not much backing, but quite a bit of improvised Sax playing.

I think that with the addition of maybe some soft percussion, it would be better for the piece, to prevent it being such an alternative and creepy tune.

[Review Request Club]

Adam-Beilgard responds:

Creepy is bad in this case. I didn't mean for it to be creepy. As I've told others this is a western adaptation of Togaku. I tried to stay as close as I know how to the character of this genre, hence the choices I made. I can't add anything else without making it something else so hopefully another listen might inspire some new impressions. That's all I can think of.

But thank you for reviewing!

[Whales, Whales, Whales]

Why Whales?

A very nice tune that I think is nice to listen to in the background of whatever you care to be doing. It's busy, but not in an overly distracting way and it has some nice variation in, to keep it from being monotonous.

The other tool of variation that you've used nicely is the different instruments and even tempos that you've used. It brings a whole new level of performance to the tune, as some parts are playing slower, but blending in just a nice with the rest.

I'd have had a part in the middle, where you fade out the main melody and had just the backing beat, for example, as you did it the other way around and that workied nicely. Maybe a minute later, you just stop the melody and the counter melody and leave us with the beat. Everyone needs a solo ;)

[Review Request Club]

MusicIsBliss responds:

thanks for the awesome reveiw.
first off, have you ever played bubble bobble. There are these whales that fly around, this idea then mixed with the falling whale from hitch hikers guide to the galaxy. Now the idea turned into whales flying around the air, shooting machine guns and missles like a WWII dogfight, and that is what this song made me randomly think about at some point.

I usually try to make my songs not repeditive, but i usually have the issue of not being able to go from a verse to a chorus and so forth, i dont know why, but it is my biggest music problem, I also never change tempo and rarely change key, i really need to work on this. A soft part would have probably been a good idea, but i was pretty power hungry when I made this song, there are about 4 muli-band compressers, 7 regular compessors and limiters, and rediculous amounts of EQ sidechaining. ever since guitar hero In have wanted to make a guitar solo and a drum solo, but lack the skills to write one.

[Carbon Baby (part 1)]

Quiet build up

This tune works it way nicely into the feeling that there is something bigger underneath it all, wating to get out. I'm looking forward to the final piece, as it sounds like it's going to be something groundbreaking and awe inspiring.

I think that the soft sound of the drums in the background really made this tune, as they give an uplift to the melody and made a real difference to the entire tune.

[Review Request Club]

WritersBlock responds:

Thanks! The drums are going to be much more in your face in the main part of the song, so I hope that it doesn't sound awkward coming off from the intro.
Cheers.

[Extradimensional]

Different

I think that the pacing of this track was the defining part until the whole track started to sound a little messy around the 1m30 mark. There's just too much trying to happen in a small section of the track. In short, it gets very crowded.

I think that you've got the ability to take this significantly further, by maybe slowing it down a little and spreading the variations out a little. I love the effect of the main sound moving around the listener, as it works fantastically - it's a different sounding part of the track, that plays nicely.

[Review Request Club]

MadCow responds:

the making of this was very experimental. im somewhat satisfied with the outcome. i've been making a bunch of songs that i havent finished yet that are prolly better.

Thanks for the review

[Electromagnetic Goldfish]

Goldifish in helocopter?

The pace of this track seems to indicate that the goldfish that you refer to in the title is either catching a ride in a helocopter or he's swimming unwittingly around a liquidiser jug, before having the switch flicked by the masochistic kid.

Quite an interesting piece, that builds up to a nice crescendo at the end. Does this mean that the goldfish won against the ballad of whirling death that the kid had is store for him?

[Review Request Club]

MadCow responds:

its up to the listener to interpret what the songs about. people probably come up with better explanations that what i was thinking when i made it lmao

Thanks for the review

[x5470]

Good beat

However, when you came to add some sort of strings or keyboards over the top, it started to go a little away, as the bass beat was just too strong for it to be carried off. Maybe phase the bass down a little, as it sounds a little static ridden and then give more power to the feature instrument.

It's a great beat that the tune has - I wouldn't change the tempo or anything other than that slight static issue, but I would say that you need to consider some more variation, as I couldn't cope with listening to this wall-to-wall. It would make me mad, or even more so.

[Review Request Club]

MadCow responds:

i wanted to make a really beat-driven song. the sound is mostly intentional.

Thanks for the review

[Solus- For Schala Remastered]

Moving piece.

This has been well planned out, to keep the softer parts of the tune blended in with a compelling, but tender bassline. I think that this piece is pretty complete in the way it works with the emotions.

I'd suggest that you maybe phase out the piano for the sax solo, as it would sound so much better with just the sax, giving the piece a lift, then bringing the piano back in. Maybe some light drums as well, the kind that are played with the brushes.

[Review Request Club]

SolusLunes responds:

Hmmm... Two very good ideas.

I will have to experiment.

[+Prologue+]

Nice piece

This piece is quite emotional, with the high pitched piano. It sounds as if someone has died at the start, which isn't neccesarily the best place to begin a song.

However, this seems to have other undertones, which I can't quite pick up on. Using the low chord directly underneath the melody is an interesting choice, as I would have held the notes and let the melody do the talking, rathern than aiming for a harmonic.

[Review Request Club]

WritersBlock responds:

I kind of approached this piece to have an open, very spacious sound, and I built on that, and developed it, so the song progressed to become more intense, and to bring it closer together. I'm not sure what you mean by undertones, and the held notes, as for the most part of the song, the chords were sustained, and the bass always kept beneath the melody. If I had sustained the chords throughout the piece, it probably would have been too linear, lacking the pace change.

Thanks for your review.

[Flatline?]

Definately

This definately needs to be made longer. It doesn't loop well, so you need to compensate for that by adding an increased track length (Something around the 3 minute mark) which would therefore give way to a much improved variation in the tune itself.

That's the other area where this song lacks, as the variation isn't anything really special until about 50s, where you add that one lone bass beat and something that sounds like bubbles through liquid. Sorting out these two things would make a much better track voerall.

[Review Request Club]

CineGoryP responds:

I like your suggestions and I wish I could fix the song, but I can't because everything I made it with is gone =/ If I everfind my old coppies of Acid and FL studio I'll try to make a better version of it, though x.x

Thanks for the review and solid advice.